Marjorie Young
My art is generally considered semi-abstract, marked by the use of bold colours, strong compositions and evoked emotions. Subject matter varies from florals, to landscapes and to portraits, particularly of children.

Karen Marcus
I love the tactile nature of collage. The ability to move the pieces of colour and mold them into shapes, the dramatic changes that come with each layer. It gives me great enjoyment to see someone looking at my work trying to figure out what has gone into the painting to create the texture.

Joyce H. Kamikura
My paintings represent my personal response to the environment. My ideas are not whole impressions but fragments of what fascinates me and are the seeds from which my works begin to develop. As a result, although they undoubtedly have roots in my daily life, they are a good deal removed from reality.

Marques Vickers
He has been acknowledged at the MAC21 Contemporary Art Fair in Marbella, Spain for the past three years and EXPOART 2000 with the European Art Channel in Cologne, Germany in international art competitions.

Pierre-Louis Yvon
Humanistic and sensitive to the misery of the children, Pierre-Louis Yvon is of style " Plein " mannerist of mischievousness, his plastic design is registered in the heart of the method deconstructivist, true wire of ARIANE which it uses to transpose his objects in pictorial writing in order to express his vexations and its distress, his moments of doubt and loneliness.

Sonia Gurfein
Gurfein had been drawing and painting since early age without formal Art Education; she began to study seriously very late, only after her children had grown up, at the School of Plastic Arts in Bat Yam, at the Avni Institute in Tel Aviv and at the Midrasha - the Art Teachers' College in Ramat Hasharon.

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